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Based on the cinematic idea of a curious child climbing up to the attic and discovering a jumble of boxes, trunks, old clothes, and a long neglected instrument, this collection of short recital and study pieces evokes the spirit of musical discovery. Composed by John Walker, these new pieces are specially designed for the intermediate-level musician. Available for Violin, Flute, Clarinet, Alto Saxophone, Trumpet, and Trombone.\u003c\/p\u003e","brand":"Walker, John","offers":[{"title":"Default Title","offer_id":41123920379998,"sku":"wf166","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/5833\/files\/WF166.jpg?v=1724783819"},{"product_id":"cf-o223","title":"Foundation To Flute Playing","description":"\u003cp\u003eErnest F. Wagner\u003cbr\u003e Text by Ernest F. Wagner\u003cbr\u003e Piano Reduction\/Vocal Score\u003cbr\u003e Instrumentation: Flute. 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The Rite of Spring premiered that evening in the midst of a riot, inspired by the overwhelming primitivism both onstage and in the score. One hundred-plus years later, the music still incites the senses. The ballet was first published in 1914 in a reduction for two pianos, and serves as a basis for this arrangement. This edition is presented in honor of the centennial of the ballet’s premiere, and is intended to give soloists and accompanists a chance to perform two movements from this monumental work. The movements can be performed separately, and the first movement can be played as a solo without piano accompaniment. 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In addition, musically accurate and expressive piano accompaniment tracks, both in practice and performance tempos, are available for download, perfect for those times when an accompanist is not available. 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The movement titles came after the notes were finished, so the work is not programmatic nor representative as such, but the names do serve to express the moods and ideas I was attempting to convey. \"Wide Blue Run\" (a wide intermediate slope in skiing parlance) focuses on form, speed, exhilaration, beauty and grandeur. \"Memory Dance\" is a much more introspective and moody journey. The melodic figures seemed dance-like to me, but without the immediacy of the present. As I composed, the idea of remembering dances from the past solidified into a unifying device. \"Kludge March\" is best described by the definition of the word kludge: \"a system, ... that is constituted of poorly matched elements or of elements originally intended for other applications. 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